Henry Thrasher

Media

Media

Musical Theatre Reel:

Performances:

“Who Could Ever Have Dreamed Up You” from Phantom:

“My Petersburg” from Anastasia:
“In A Crowd of Thousands” from Anastasia:

“Her Voice” from The Little Mermaid:

“Dust and Ashes” from The Great Comet of 1812:

Martin Eden – “Stowaway to Paradise” Reading Highlights:

“Tomorrow Shall Be My Dancing Day” from A Christmas Carol:

“C’est Moi” from Camelot:

“All the Things You Are” from Very Warm for May:

Self Tapes

“Empty Chairs at Empty Tables” from Les Misérables:

“Soliloquy” from Carousel:

“Perfect” by Alanis Morissette:

“Grand Knowing You” from She Loves Me:
“You Can Do Better Than Him” from Bonnie and Clyde:
“So True” by Spandau Ballet:

“All I Ask of You” from The Phantom of the Opera:

“It’s My Life” by Bon Jovi:

“Sunset Boulevard” from Sunset Boulevard

“Romeo and Juliet” 2.2 (Romeo) :

“Romeo and Juliet” 2.1 (Mercutio):

“Much Ado About Nothing” 4.1 (Claudio):

Robert Ferrars Monologue from “Sense and Sensibility”

Monologue from Fatherland:
Monologue from Monarch:
Film Work:
The Way We Get By by Neil LaBute:
Netflix’s The Chair with Holland Taylor:
Showtime’s American Rust with Jeff Daniels:

Reviews:

"Henry Thrasher as Fred … was loving, caring, kind … a true concern for his Uncle Scrooge made my eyes fill with tears! We all need that compassion in all our lives and he gave a great performance in my eyes!"

 

 

–  John Russo, Wood Media

North Shore Music Theatre’s A Christmas Carol

“Henry Thrasher is a charming and noble Phillippe, bringing a romantic counterbalance to Erik's brooding presence … ”

 

 

– Gil Benbrook, Talkin’ Broadway

Arizona Broadway Theatre’s Phantom

“Played by NYC-based actor Henry Thrasher, the performer brings a passionate approach to “Her Voice,” a ballad Thrasher has sung for years, yet still brings an inquisitively fiery desire as the show’s leading man.”

 

– Jon Manarang, When the Lights Go Out Magazine

Area Stage’s The Little Mermaid

“Henry Thrasher injects Prince Eric with a gentlemanly disposition, suggesting a brave, dashing, elegant knight in shining armor. Speaking and singing in a deep, rich voice, Thrasher’s benevolent Prince Eric stands in stark contrast to characters such as the evil Witch Ursula.”

 

– Aaron Krause, Miami Artzine

Area Stage’s The Little Mermaid

“Thrasher brings a classical voice to the Rodgers & Hammerstein songs while investing the young man who has everything as a royal who may want less for himself and more for his people. Thrasher brings charm to his prince.”

 

– Dean Poling, The Valdosta Daily Times

Peach State Theatre’s Cinderella